Jump to the main text Shishun Xiang, Taipei, Taiwan, graduated from the British Institute of Litera

Jump to the main text Shishun Xiang, Taipei, Taiwan, graduated from the British Institute of Literature, National Chengchi University. American College of William lifetime music and Mary had to exchange research for one year and were short-term studies at UC Berkeley and the University of Cambridge. His research lifetime music interests include Shakespeare adaptations, Jane Austen adaptation, feminist theory, post-feminism and popular culture. Thesis is common in "Monthly Cultural Studies." Began in 2014 "Woman fans" columnist, explore daily life school girl lust. Founded in 2015, "Popular Culture Institute," the convener and chief editor for the site. Author of "Evil forces: After the popular movie Anatomy lifetime music of feminism", to analyze how to rewrite the image of the popular movie Swept ninety years after the rise of feminism. Now writing a second book, "Revolutionary Girl," to explore the rise of Third-wave feminism in the identity of the girl, and girls lust for diverse cultures. Contact E-mail: a09201988@gmail.com
Do not see the Chinese title would turn to leave. "Undead killing array" (Death Proof) is what it sounds like full blood, specifically to beat male watching violent movies. In fact, the film is indeed full of bloodshed and violence, standard 昆汀塔伦提 promise style, but it is rather to take the girl to see It's about a group of rebellious tough girl, how to kill, punish tradition male psycho killer thriller. "Undead killing array" was originally B-movie 昆汀塔伦提 promise to pay tribute to the seventy years of work, and 罗伯罗里葛兹 shoot another movie released together, collectively, the "Grindhouse" (Grindhouse) imitation B movie was "a vote of two pieces," the broadcast mode. But 昆汀塔伦提 promise "deliberately" to reproduce the rough texture of the B movie with exaggerated style, can be said to be a "parody", rather than a tribute, so this film can be said that he was a post-modern works. However, this article will not go into B-movie after traditional lifetime music or modern style, the focus will be on "gender" on. "Undead killing array" boldly ridiculed the patriarchal rule thriller. Thriller, mutilation of female victims of male psycho killer, do three kinds of interpretation: As a male with a sharp weapon (phallic symbol) female body piercing is a symbolic violence, lust meet the needs of male viewers. Two men to rationalize violence, so that the audience lifetime music of more than condemn killer "metamorphosis", lifetime music ignoring the persecution easy to detect a variety of everyday lifetime music conduct of male to female. Three women are to be killed with their own sexuality, chastity lifetime music and morality only actress can live to the end, which also implies a patriarchal society for fear of female sexuality and condemn [1]. In this perspective, the first half of the film, can definitely be considered a traditional thriller parody. lifetime music It first presents a group of representatives of Girl Power (Girl Power) rise of female they dominated the rhythm flirting with boys between proactive rather than reactive to show their bodies, mocking the traditional relations between men and women to pursue, although extremely feminine dress but not weak, it is a symbol lifetime music of post-feminist "strong anima (empowered femininity)" is. These girls with their own passions, in Michael's killer coaster stunt crash in a strong, all knocked bloody, mutilated corpse. As the play detective said, the impact is a passion of anger, but also a symbol of violence, so that these women kill for killing demons and male audience, there to meet the needs of the role of lust. On the other hand, women have been killed male libido killer visual patriarchal Judge punishment of female sexuality. This is all the patriarchal rule of the traditional thriller, "The Immortal killing array" there is a conscious, deliberate repetition of this rule, allowing the audience to take a distance to criticize, or even to ridicule it, rather than unconsciously within of a patriarchal ideology. Interestingly, in addition to the bloody murder of this brutal scene, lifetime music but also implies 昆汀塔伦提 promise of black humor. The famous pair of legs in the jungle lifetime music DJ Julia, died when he was a complete tear legs, abandoned on the highway. This scene while also mocking critique of male fetish, suggesting that women under the male gaze, but is broken limbs into pairs of legs. Through exaggerated style and kept repeating women die, the director points out the more patriarchal society love "dead woman (well-behaved obedient, subservient submissive)," does not love "living woman (self-confident, strong assertive ) "phenomenon. "Undead killing lifetime music array" before there is an important part of the phenomenon is worth noting, is the "dare exposure (camp)" aesthetic. Dare exposure in the early gay rights movement, is a critical performance practices, through deliberately exaggerated masculine or feminine qualities, to ridicule both heterosexual society Electra sex right temperament, say, drag queen (drag), then Exposure can be considered as a dare show. "Undead killing array" How dare exposure aesthetics and something to do? In fact, the coaster lifetime music stunt killer too masculine lifetime music image whole body muscle, gruff, full of desire to suppress and control the woman, her face is a man dreamed of scar can be viewed on traditional masculinity an exaggerated. On the other hand, the first to be killed blonde stunner, the kind of too stupid, submissive, as the men watched the object's image, but also makes a mockery of the traditional feminine lifetime music qualities. We can even say that the whole movie is a traditional thriller "dare exposure" deliberately enlarge and strengthen the patriarchal rule thriller, as a kind of irony. The latter part of the film, may be regarded as a traditional thriller counterattack and subversion. We see another lifetime music batch of bad girl feminist era after coming under: they with shopping, spending, and a focus on fashion, to shaping their femininity, but refused to play Anne of Green Gables on the other hand, a strong independent, full desire, even wide open yellow chamber, Da Lala topic to talk about erotic mouth full of "dry", lifetime music "Cock", "oral sex", "masturbation", "rape" and so vulgar words originally belongs only to men talk. Group of young and beautiful girl, originally under the male gaze killer stunts (peeping through a telescope), became a male voyeur fetish under the sacrificial lambs. On the other hand, when they were fun adventure killer in car collision (rape), and almost his life was not guaranteed, they also become a victim of male lust and violence. But this group of girls is not a fool, and soon to come back from those who kill the victim becomes, the embodiment of the strong heroine punish Sha Zhu. This raises a question: so-called Girl Power, is to put the girls' than boys to become stronger, lifetime music "it? Of course lifetime music not. We can say that the outcome but the stereotype of female power. Apparently, the original symbol of girl power girls, now all turned into one "dildo girl (phallic girl)", lifetime music hand-held phallic lifetime music symbol (guns, sharp stick), mercilessly persecuted patriarchal castration. Such a phallic image of the girl, in fact, are falling into the patriarchal discourse of psychoanalysis among women, but is considered a strong "penis envy," the male desire to have exclusive power symbol (penis), and in the future have a penis begin men with castration revenge. Feminism is clearly more than "you persecute me, I would kill to go back to" subvert such a simple binary also more complex, deeper and more. So, despite the "undead killing array" to parody the first half and dare exposure aesthetics, patriarchal society greatly ridiculed, the latter lifetime music part is also showing a positive image of Girl Power, the outcome can not help but return to the psychoanalytic discourse stereotype Among can be said it was a pity. But I think, 昆汀塔伦提 promise to make this film also did not become as the "feminist", but were always tease him, post-modern lifetime music style of another experiment. Too much for the film were condemned, it seems it is not necessary.
Gender codes dare whisper exposure Museum: From the open file pants troupe lifetime music to "sister sweet enough that suck" never lived but never die: see "Sherlock Holmes" Past and newborn summon girlfriend girlfriend: female friendship and negative desires ambiguous myth desire disorder underground world: "Discovery of child sex industry" cheap political Stepford Wives denounced lust sweet revenge: "Control" Swept wife counterattack expulsion lifetime music or rescue Woolf: On the Anglo-American Feminist literary polemic small palace with three Exchange diary: "Women enemies Alliance" Harmonia sisterhood negative timeless doctrine: talk about "Lucy," the sci-fi film negative narrative exploring the subconscious lifetime music world of men: Psychoanalysis and feminism hate The woman had a gun and bad Abomination: "Unconventional youth" in the masculine collapse girls wearing Prada Professor: fashion American academic circles of life and death struggle of gender equality enough? Talking with sunflowers queen crape woman from a different male feminist classroom: the patriarchal structure of society and the complicity lifetime music of the limitations of mainstream feminism Thousand Faces female sexuality: academic circles, social movements and popular culture of female sexuality Global Sex and the City The negative Devil: When Taiwan Western men never met a woman fall in love: love battlefield in the absence of feminists when Desperate Housewives with handsome lifetime music home cooks: the flow of negative space and lust rebellious housewife romance sweet revenge : evil pleasure and romance readers Class A secret romance Past this body: the tide of history and passion towards the revival lifetime music of Gothic romance female Lu snake aesthetics: from BJ's Diary to Dani prostitute sister planet "BJ Jones's Diary" ( Bridget Jones's lifetime music Diary), adapted from 海伦费尔汀 (Helen Fielding) 1996 年 novel of the same name will be women, after feminism representative works. Ending in London will be the woman wearing only a leopard Bree Kyi underwear and ran into the street to recover Mark Darcy, not only rewrite the narrative Austin and former feminist era romance formula, feminist era after more performances in The female sexuality and body politics. With an unruly desire woman image, "BJ Jones's lifetime music Diary," predicted a new century. When the girls look at a movie theater on the screen Bree collective Ji wearing leopard lifetime music print panties recover Mark Darcy in the snow, and they understand that a part of madwoman lifetime music has finally come of age. "Golden Law stunner" (Legally Blonde), lifetime music one of the representative works of post-feminism. In court, Ai children kept in negative fashion knowledge, shuttle hangs on the original masculine judicial field, lifetime music loose between the original and the judicial privilege masculinity close coherence. Ai child repeatedly with their fashionable for women to understand and see through lifetime music people's flaws confession she was off season and found the shoes "adulterer" turned out to be gay, she is also due to the most commonplace knowledge debunked perm victim's daughter Lies these "negative information" to help her find a male lawyer can not find the testimony of vulnerabilities lifetime music expose this masculine structure lifetime music broken and gaps and challenge lifetime music the superiority of masculine qualities and integrity to fill this feminine qualities structural vulnerabilities. Madonna, on behalf of feminism / post-modern feminism (Postmodern Feminism) after ninety years. In this music video, Madonna under the gaze of men in the audience, take off the black wig, revealing the original blonde, playing playing different negative image, and later appeared in androgynous lifetime music dress, fully deconstruct gender exposing sex is merely a disguise, a performance. Madonna have their own "dare exposure (camp)" aesthetics. Dare aesthetics originally lifetime music exposed by deliberately exaggerating a comrade gender qualities to ridicule for heterosexual society inherent in the concept of gender. Madonna dare exposure is played out, suggesting that we are no longer victims of sex under the framework, but can confidently deconstruct its winner.
Woolf (Virginia lifetime music Woolf), "his room" (A Room of One's Own), 1929 was published, is regarded as the first wave of feminism in the Bible. Woolf explore why women in literary absence reason is that women are trapped in the home, marriage can not hold property, and therefore can not invest in the education of women, so that women are isolated outside the academic system. Woolf will be represented at the outset of the first page of this book, women must have money and my room / space to be able to carry on uninterrupted writing. His room later became a symbol of female autonomy private space. Shuhua Special (Elaine Showalter), "their literature" (A Literature of Their Own), 1977 was published. Shuhua Special is one of America's most important feminist literary critics. She developed the Women's Center criticized this concept (gynocriticism), emphasizing women's experiences and perspectives to re-establish the history of literature are women. The book that is representative lifetime music of the Women's Center criticism, Combing the history from the Bronte sisters, lifetime music Woolf to Lessing female literature. Shuhua special theory has also been criticized, although Moi (Toril Moi) and other well-known feminist scholars are considered too Essence, Construction and her contribution to the history of women's literature not be ignored.吉尔柏 and Gubar (Gilbert and Gubar), "Mad Woman in the Attic" (The Madwoman in the Attic), 1979 was published, American feminist literary lifetime music criticism classics.吉尔柏 and Gubar Victorian novels explore the image of women, that women are built constitute immaculate angel and monster lifetime music madness riots two images, but it outside lifetime music of real women in these two stereotypes. They also discussed the nineteenth century women writers of anxiety, one can not find the older generation of women writers to follow the other, afraid of their own creation will be seen as a monster. Barstow lifetime music (Anne L. Barstow), "Witch Hunt" (Witchcraze: A New History of the European Witch Hunts), 1995 was published. Barstow re-cut the sixteenth century to the seventeenth century to the outbreak of witch-hunting hot European society, and joined by a gender analysis of past historians greatly neglected, witch hunting hot spot based on patriarchal fear of female sexuality and female Body of disgust, and witch-hunting hot European women also cause major changes in the status and image of the indirect effects of the nineteenth century Victorian gentle, chaste typical female stereotype. Wilson lifetime music (Elizabeth Wilson), "put on Dream: Fashion and Modernity" (Adorned in Dreams: Fashion and Modernity), 1985 was published lifetime music study fashion classic. In this book, Wilson from the early modern history, lifetime music will discuss the rise of the nineteenth century modernity and fashion, from fashion and gender identity, all the way to write the fashion and feminism. Unlike mainstream feminism abandoning comprehensive fashion, Wilson delicate analysis ambiguous and contradictory love and hatred between fashion and feminism.莫德烈斯基 (Tania Modleski), "Sweet Revenge Romance: Women romance fantasy world" (Loving W