Couple italian glamour riding in the United States for help: the hospital is the people of the United States of :() Jane Gallup, Translator: Yang Lixin present paper, was originally to November 19, 1982 at Columbia University hosted the Sixth International poetics conference papers will be submitted to the academic report. Chairman of the current session for Michel Ruifataier (Michael Riffaterre). This is my first received italian glamour the invitation, I think in a speech at the prestigious academic reports about the French study. Poetic symposium represents that kind of world, then a graduate student, I was very eager to be its acceptance. In this report at the meeting, I was the only one person to speak of feminist identity. In the manuscript was submitted, I put forward their own views for who "American feminists," italian glamour as well as her research on the clitoris. If I turn a blind eye to that question, it would make people feel that they not only believe this phenomenon masturbation is bad, but also on the issue of self-assertive hold a conservative attitude. In 1982, self-assertive American-style attack has become a very common part of the discourse system, the feminist discourse system will be divided into opposing "American feminism" and "French feminism" in two parts. However, when I speak, I stand which side it? At the time the French speaking environment, in an academic report such a context, the American feminist criticism has a special italian glamour significance. As for his own guilt Americans stressed its own and the result was the "French Women" identity and cause themselves on the "American feminists" at arm's length. The title of this article originally used for "When we started writing when lips" (Quand nos levres s'ecrivent), but the only time when I write in French titles. I found myself for the first time in French literature from both without references sparingly since graduate school, and recklessly use French phrases. I had the intention italian glamour was to show their knowledge of French through, thus proving himself into the legality of the French research. In fact, my French degree in this field has not yet reached a "near native italian glamour speakers" level. However, due to the reproductive organs, and so have the relevant specific expression, therefore, it seems that there is not difficult with the French. Obviously it is, I feel the need to reconcile and to cover the place. In the time of this writing, I try to want to achieve the goal is to enable the station to the past has been spoken by men speak of the place as possible, regardless of their physical properties of both, but at the same time, but also according to their body to speak. My own experience is difficult to rise above the situation italian glamour outside the body of the powerless, because women always detained in his own body, I had to come up with such an approach is that the body is already considered a "poetics" In other words, it would have to have a place in the kingdom of lofty literary theory, and that the kingdom, it is my desire to enter. It was a statement, like a huge win, because I seem to not only overcome the unlawful presence felt psychologically, but also makes the body (my own body?) From a state of distress in turn become a source of power . I've done all of this, as the stakes are actually manifestations italian glamour of my existence, of course, the form is not so dramatic. I will not make myself only as a physical italian glamour presence italian glamour there, but trying to be able to think of a body, the body, whether on their own or they represent ideological terms, will no longer be excluded. In a sense, it is frankly talk about their anxiety, despite the use of a very stylized way, contributed to the success of my speech. "Talk about their anxiety, despite the use of a very stylized way": through some special programs to suppress their anxiety this behavior, so I vividly recall was his way to. I was, dressed italian glamour intends to show that the characteristics of the body, and the body of the features of this has been expressed as a stylized sex characteristics. I pedal with children thin heels, legs dressed in fine mesh stockings, wrapped italian glamour in a black dress is very fit, wearing a big black hat. I dress like a woman, but a woman is another. If I speak with the women marked another place identity, my clothes and women, said the identity of another era. I actually just wearing someone else's clothing only. My dress has successfully attracted the attention of others on my body, but at the same time, I am yet to make his body into a stylized trap, created a stylized body to, in the paper, I will this generation process is called the body. Between the papers and my appearance, with text and between my performance was unconsciously expressed out and fruitful.
I believe that, in addition to the dialogue beyond the talking is not carried out. For example, I wrote this paper is a short period in order to respond to the text, which is the theme of that symposium, italian glamour the original is a French expression meaning "body poetics" (Poetique du corps). The three words from the title constitutes an anxiety aroused, the object of this anxiety betting, italian glamour it constitutes the tension formed between the first word and the last word of the title. "Body" of the word, suddenly makes me feel happy, resulting in a feeling of home. For the body, I have so much to say, be able to talk on the matter, italian glamour I am very happy. But word poetry makes me feel at a loss. Because I put it and the most profound, the most sophisticated, most have studied scientific literature, to explore some things literary literature linked - that is, Xiao Shana Fellman (Shoshana italian glamour Felman) said, "and text about something" [i] - it is pure and noble. In fact, it is because I am on the "body" of the word feel pleasure - (so I immediately translated into the native language of the word, but insisted express poetic form of the word in French) italian glamour ...... what I think about the body So much to say these facts, exposing my own slow, village and township gas narrowness: I could not help but want to explore when reading read something behind things, want to read on to learn about the world. Poetics of the body research efforts, it is easy to slide on to talk about the topic of the body to go - worse yet - fall prey to "the body itself," the talk among exist transparently as if the body is similar to the text as if there really a place called "the body's own" things exist, italian glamour are not subject to contamination like text. Of course, to explain to my anxiety, and tried it eased the restrictions, as well as an idea, is to be regarded as the mother of the body, while the poetics regarded as the father of the name. Unable to bear the responsibility of the construction order poetics, I worried that I was some kind of bondage between the parent disturbing occurrence, the naive, the relationship among the imagination, thus completely italian glamour lost the ability italian glamour to engage in professional research. Another anxiety of this analysis is directed at identity politics. I feminists such a call has a variety of links, which are generally pleasant. However, feminist literary criticism, I refer here to the American italian glamour feminist literary criticism, according to my estimate the worst performance out of a childish for literature itself weakened by the literature downgraded to a real world image system, this criticism does, but in reality is the "stuff and literature related to" a kind of castration. Because I felt strongly associate themselves with feminism between, so I hope that out of this association is shown here, in fact, just pointing backward italian glamour feminism, it is dismissive, not really poetry evaluation, rough, clumsy and stereotypes, etc. properties. In this painful condition, I decided to write a little something Ruth Ely Calais relevant text. Of course, starting from a good winter. Erie Calais seem raised the possibility that there could be such a language to express the properties and characteristics of women's nature, this language can express real life clearly, italian glamour without a trace of reluctance: to speak out in this language if the female body has some similar characteristics, it spoke directly to the female body. Erie Calais italian glamour considered to have a real, without going through an intermediary body is possible, has been criticized this view is naturalistic style in addition to the symbolic order, but there is another group of people who are basically the same reason, italian glamour And she was given a commendation. This refers to aspects of naive, positive and my own body poetics underestimated, undervalued tendency words to say about the body unavoidable similar poetics. italian glamour I decided to feature her poetic works conducted italian glamour a careful study in order to understand how she is related to the female anatomy to create this imaginative ideas. So, I decided to carefully study her rhetoric, her writing skills. However, when I settle down to sink into this pedantic and re-read, italian glamour and immediately felt the emphasis on anatomy gives me allure. In 1977, Queen Calais published a proceedings, titled italian glamour "This non-a" (This Sex Which Is Not One) [ii]. She complained that for a long time, women's reproductive italian glamour organs are around to define the male reproductive organs, that is, around the "single", that according to the definition of a single penis. She insisted that the external female genital organs is actually italian glamour rich and diverse (ie what she called "the non-one"), in her view, it seems to include the entire female physiological systems italian glamour (clitoris, vagina, labia, cervix, etc.). Not only has the diverse characteristics of female genital mutilation, sex-negative women in this group, italian glamour also has a wide range of characteristics (ie she calls "inside her body in places with uncertain factors alien", page 28 ). So, Erie Calais to develop a concept of the performance of female logic, the logic of the idea and the phallus morphology reflects the unity of tit for tat. "That is the fate of Anatomy," Floyd saying this is obviously foolish enough of [iii], and we glance, Ruth Erie Calais committed, seems to have also a stupid mistake. She seems to be based on the characteristics of the reproductive anatomy of women and men to decide, logic and language. However, we have to be careful not to be too literal sense and anatomical concepts Erie Calais. italian glamour When she said, "this non-one", she is not actually referring to the anatomical features of the male reproductive organs, but had been contaminated by a phallus morphology, and ideas about male genitalia, the notion anatomical characteristics in men, in fact, occupy italian glamour only a small part. For example, said Erie Calais anywhere never mentioned testicles. Anatomical features of the phallus male genital morphology logic does not produce decisive, on the contrary, is the phallus morphology logic determines a single concept of the male reproductive organs. Ironically, italian glamour we might say, the Queen Calais itself can be seen only around the reproductive male genital morphology phallus to define the concept of this. However, it is a political problem related to the body. As one of the poetic sense, here, we might be able to recognize that, if the phallus is not based on the actual morphology of logic to anatomical, on the contrary, is to use its own image reconstruction of the anatomy, so Erie Calais genital morphology logic is not necessarily made on the basis of the anatomy, but already the explanation about the anatomy of the symbolic. Now, if I put the so-called "multiple features female desire and language" italian glamour (p. 29) is not based on the concept of Erie Calais made anatomical features, on the contrary, it constructed the anatomical features, then, then I would It's safe to assert that Ruth Erie Calais body poetics is in fact not an expression of the body, but only on the body to generate italian glamour the body's creation of Bale. "Then, I can definitely assert ......" Good. At first, I studied anatomy Erie Calais, not to regard it as a body referred to, but to make it as poetic, I really have found what I was looking for something. However, in order to understand the effect of the structure, in order to grasp the construction of her anatomy, I still secretly exist outside of the text, some of the male anatomy "reality" made reference. That is the reality of the effect italian glamour of her text is so strong that I had to resort to some "real body experience", italian glamour so that the dismantling of the "real" Made in phantom. When I entered the order of poetics and victor assertions made only after generating the most painful contact with certain high above the body of the text, in order to become possible. Male anatomy so I was able to resist the temptation of Erie Calais body style that fact in itself noteworthy. Or, as Ruth Ely Calais confused male anatomy and morphology like phallus, my confusion is symptomatic, that is confused (in) the difference between poetry and music between research and entertainment. So, I managed to put the rich diversity of female genital regarded as a product of the text, and according to our modern concept of writing, it offered an explanation. In the title is "The non-one" that paper, Erie Calais echoes the same for women and understanding the relationship between sexual activity and the construction of modern text between frankly raised some questions: "Those women not only have a sex ...... her sexual activity has been at least a bisexual orientation is always diverse. Now they hoped it would be like culture? Now they, like the text as it was written? They know that too is not very clear, they are escape, is what kind of review? "(p. 27)" Now they want culture had hoped it? "Cultural diversity italian glamour is the desire, italian glamour female sexual activity italian glamour itself is diverse. From the anatomical point of view, women naturally is (post) modernist. We may also be able to "Always" and "now" to compare italian glamour the two words. ("Her sexual orientation has always been diverse activities." "Now, as they are written as text it?") Jardin Alice (Alice Jardine) The book left me a deep impression, it reminds me realize make the question of the relationship between women and modernity urgency [iv]. If not true anatomical, and more is to organize all sorts of ideas about female sexual italian glamour activity, then, we must ask the Queen Calais genital morphology logical basis, italian glamour but through the Erie Calais ( post) modernism miasma mist to look at the female anatomy, then because of (post) modernist aesthetics constructed by men, then it is set up in accordance with the phallus morphology, between italian glamour metaphysical concept, the difference where is it? Especially when we take into account the factors that constitute the morphological phallus itself does not depend on the characteristics of the male anatomy time. However, just because the (post) modernism is constructed by men, they blindly simply finds it has male characteristics also wrong, because all sorts of accusations based on anatomical features of hypertext emphasis premise. Feminism on specific body referred to the relationship between research and the tension between poetic italian glamour vision inspection, and here it is very sharp. However, I can speculate that increased tension in the relationship is the book to read Erie Calais formed - there are obvious
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