Why Ismail Kadare should win the Nobel Prize for Literature 2013 | DAILY NEWSPAPERS
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World Literature in style makeover Today magazine, founded in 1927, which is published every two months in the United States of America, published an article yesterday Sabolik Nina, Professor at Arizona State University, under the title "Why should win Ismail Kadare 2013 Nobel Prize for Literature ".
I should hate Ismail Kadare. I should hate it because I am Macedonian, Albanian and he is our two peoples have been enemies for centuries and recently entered the war a dozen years ago. I should hate it, because in a recent meeting of PEN International in Bled, Slovenia, he was the one who refused to sign a petition for recognition of Macedonia under its constitutional name - a petition that was signed by 70 PEN members, including five other Albanian writers ... However, after reading his novels and short stories, I not only can not hate it, but I wish to nominate him for the Nobel Prize in Literature for 2013. Let me show why.
Many of his books were banned during the thirty years he spent as a writer in communist Albania. Among them is the novel that is considered his best works' employee in style makeover of the palace of dreams "(1981) who makes an obvious parallel between Hoxha and a fictional place where dreams examined for any signs of political dissent. However, despite all this free his opinion, Twain not only survived, but became famous in a place where writers generally interned, imprisoned, or executed for ideological errors much smaller. in style makeover
The novel "The Castle", as the dissent of Kadare, is an allegory in style makeover of an allegory. At its core, it is not just a critique of communism, but also a reflection in style makeover on the cultural relativity of historical occurrence.
As the story of "Castle" - and how it's my family in the most rude, working-class communists, socialists and liberal bourgeois conservative anticommunists mix and made affinity with each other - political life of Kadare does not represent a clear boundary between Communists "evil" in style makeover and dissidents "good". Instead, in his account of the history Twain uses lenses to show the nature of political dissent in general. Chronicler political opportunist "Castle", for example, will summarize the history in style makeover of the collision between the Ottoman army and Albanian enemy, which is considered by contemporary critics as a story about the clash between the communists and their opponents.
To be a writer in communist Albania must have been like being chronicler in a large eastern army in the days of the Ottoman Empire. Kadare's portrayal of Tursun Pasha, the Ottoman army commander "Castle" and a presentation of Enver Hoxha and military dictators everywhere, is telling in this regard. "The night was pregnant and he was in her womb, completely alone" is, for example, how chronicler describes the emotional state of the Pasha on the eve of the castle. A troubled character in the twilight of his life, worried in style makeover about the descent of his military career, Tursun Pasha feels overwhelmed by personal and weight as the civilizing mission that he intends to achieve. In the belly of his suspicions, he confronts the value of his past life as a servant in style makeover and creator of a nascent empire and cruel. At the end of his career, the emergence of blood kuq- sky from the East was a feeling of a bloody siege, in style makeover while his death is the only notice of the potential arising from the borders of the empire. Thus, the "belly dark" night serves multiple in style makeover purposes symbolic in style makeover as the internal conflicts of a person unable to escape the crushing weight of history, the yoke of a huge empire spread westward, in style makeover and, indirectly, but unmistakable, Stalin's in style makeover communist empire. Tursun Pasha suicide at the end of the siege highlights the stark sense of this metaphor, his death becoming "the kind of place anywhere, a really beyond the reach of the law, outside world and Empire".
Another element of criticism against Hoxha Kadare is his attack on the idea of denationalization, in style makeover that the "Castle" begins by Sultan, or sultan, who was also a favorite pastime of the latest communist empire ... This is a Kadare theme returns in his latest work, "Accident" in style makeover (2010), which marks the corrupt in style makeover influence of western distorted values in post-communist Eastern Europe. In "accident", however, the enemy is not a communist dictator, but ideological attack Western unquestionable values, which, in the name
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World Literature in style makeover Today magazine, founded in 1927, which is published every two months in the United States of America, published an article yesterday Sabolik Nina, Professor at Arizona State University, under the title "Why should win Ismail Kadare 2013 Nobel Prize for Literature ".
I should hate Ismail Kadare. I should hate it because I am Macedonian, Albanian and he is our two peoples have been enemies for centuries and recently entered the war a dozen years ago. I should hate it, because in a recent meeting of PEN International in Bled, Slovenia, he was the one who refused to sign a petition for recognition of Macedonia under its constitutional name - a petition that was signed by 70 PEN members, including five other Albanian writers ... However, after reading his novels and short stories, I not only can not hate it, but I wish to nominate him for the Nobel Prize in Literature for 2013. Let me show why.
Many of his books were banned during the thirty years he spent as a writer in communist Albania. Among them is the novel that is considered his best works' employee in style makeover of the palace of dreams "(1981) who makes an obvious parallel between Hoxha and a fictional place where dreams examined for any signs of political dissent. However, despite all this free his opinion, Twain not only survived, but became famous in a place where writers generally interned, imprisoned, or executed for ideological errors much smaller. in style makeover
The novel "The Castle", as the dissent of Kadare, is an allegory in style makeover of an allegory. At its core, it is not just a critique of communism, but also a reflection in style makeover on the cultural relativity of historical occurrence.
As the story of "Castle" - and how it's my family in the most rude, working-class communists, socialists and liberal bourgeois conservative anticommunists mix and made affinity with each other - political life of Kadare does not represent a clear boundary between Communists "evil" in style makeover and dissidents "good". Instead, in his account of the history Twain uses lenses to show the nature of political dissent in general. Chronicler political opportunist "Castle", for example, will summarize the history in style makeover of the collision between the Ottoman army and Albanian enemy, which is considered by contemporary critics as a story about the clash between the communists and their opponents.
To be a writer in communist Albania must have been like being chronicler in a large eastern army in the days of the Ottoman Empire. Kadare's portrayal of Tursun Pasha, the Ottoman army commander "Castle" and a presentation of Enver Hoxha and military dictators everywhere, is telling in this regard. "The night was pregnant and he was in her womb, completely alone" is, for example, how chronicler describes the emotional state of the Pasha on the eve of the castle. A troubled character in the twilight of his life, worried in style makeover about the descent of his military career, Tursun Pasha feels overwhelmed by personal and weight as the civilizing mission that he intends to achieve. In the belly of his suspicions, he confronts the value of his past life as a servant in style makeover and creator of a nascent empire and cruel. At the end of his career, the emergence of blood kuq- sky from the East was a feeling of a bloody siege, in style makeover while his death is the only notice of the potential arising from the borders of the empire. Thus, the "belly dark" night serves multiple in style makeover purposes symbolic in style makeover as the internal conflicts of a person unable to escape the crushing weight of history, the yoke of a huge empire spread westward, in style makeover and, indirectly, but unmistakable, Stalin's in style makeover communist empire. Tursun Pasha suicide at the end of the siege highlights the stark sense of this metaphor, his death becoming "the kind of place anywhere, a really beyond the reach of the law, outside world and Empire".
Another element of criticism against Hoxha Kadare is his attack on the idea of denationalization, in style makeover that the "Castle" begins by Sultan, or sultan, who was also a favorite pastime of the latest communist empire ... This is a Kadare theme returns in his latest work, "Accident" in style makeover (2010), which marks the corrupt in style makeover influence of western distorted values in post-communist Eastern Europe. In "accident", however, the enemy is not a communist dictator, but ideological attack Western unquestionable values, which, in the name
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