Daniel Pshastek, Polish playwright and politician, visited Belarus gretchen mol vanity fair to study Russian and Polish contemporary theater process. On the example of performances and creative activities directors Daniel Pshastek talks about "hot spots" of the Belarusian theatrical life and how it meets the criteria of contemporary art
Anthony Giddens, a British sociologist, in his book "Modernity and Identity" enthusiastically philosopher argued that the notion of modernity is nothing more than an abbreviated "modern society", where the world is viewed through the prism of human life, with the institutions of economic gretchen mol vanity fair and industrial production, market economy, political institutions, mass democracy and the nation-state. He defended the idea that the preservation of the public consciousness, and possible due to the progress of spontaneous action rather than force and boorish pressure of state and government. Despite the fact that Giddens in his work did not discuss the role of the arts, including theater, gretchen mol vanity fair it is worth considering whether (and how) to influence the scene now, and if it has the opportunity to influence the construction of a modern society.
My stay in Belarus was held in February 2012. From Warsaw to Minsk of 550 km, it is almost as much as the capital of Poland to Szczecin, a city which is the most distant point on the map of the country and is located in the north-western fringes. However, familiarity with the actual functionality, cultural picture specificity mechanisms that govern Belarus - is the distance that can not be consumed. Our idea is completely built on stereotypes cast by the media under the tasty sauce, which increases gretchen mol vanity fair uncertainty and adahvochvae know. In fact, if you've never been to Belarus, we will never understand how this country works. You will not know the interesting people and contemporary culture, which is extremely interesting, nowhere is not widely described.
Slice of theatrical life of our neighbor to the east is characterized by superficiality and uncertainty. In a long-term mentality creators sitting faith not confirmed by any social research that Belarusian society is not ready to experiment and delicate social and political themes. There is an implicit rule that the audience in the theater should feel comfortable. It is not necessary to bother him big problems, controversial issues, and even such "obscenity" as nudity, sexuality, and various kinds of dissimilarity are taboo topics! In comes to mind Soviet "We do not have sex Comments"! Director of state theaters so formed repertoire that actually give life to this expression. Analyzing repertoire Minsk theaters, it is difficult to find in it even William Shakespeare's play, not only concerning the mechanisms of power, but even comedies, or works of a lighter caliber. Leading theaters use on their way to self-censorship, eliminating gretchen mol vanity fair all possible - the principle - the unwanted contents.
The second reason stems from funding constraints. From conversations clear that theaters have to make money. But this kind of art is not able to bring material benefit. This happens, for example, with a performance at the National Academic Theatre of Yanka Kupala. Several years ago, has been implemented jointly with the Moscow SounDrama project "The gretchen mol vanity fair Wedding" by Anton Chekhov in directing Vladimir Pankov, and although the performance was a member of many festivals and had success outside of Belarus, Minsk, he is not popular, and therefore not makes money at the box office. And the circle is complete. Causes mediocrity repertory theater, perhaps more, but it should be noted that there are some kind of "islands of modernity." gretchen mol vanity fair They are different and unique, characterized by its own language of artistic expression and have a constant loyal audience that fills the halls en masse. And this is not easy, bright and pleasant performances. This is a different type of projects, free of imposed forms, which involve conscious citizens in the cultural sphere. gretchen mol vanity fair
Honors gretchen mol vanity fair theater scene from Belarus, at least, Poland, is the fact that the most interesting phenomena gretchen mol vanity fair appear outside the main theater over - dramatychny scene. Its original gretchen mol vanity fair style and are looking for developing plastic theater, puppet and dance. Phenomenon, at least on a European scale, is an incredible number of playwrights who are suffocating in the bedrock of the system, waiting gretchen mol vanity fair for their chance to realize their own work and are looking for an individual way as to reach the viewer. Recently, highly developed previously gretchen mol vanity fair unknown young reading texts by contemporary authors.
Pioneer theater movement of the body and is established in 1980, plastic theater gretchen mol vanity fair "Inzhest" led by Vyacheslav Inozemtsev. Known throughout the world, the theater gretchen mol vanity fair creates performances that are based on clowning, street gretchen mol vanity fair theater in Butoh. In a number gretchen mol vanity fair of ideological leader of the collective interests of the main remains of human existence and suffering associated with. In recent years, a noisy event
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