But it requires flexible rules It is however not ok, too many play for free. And Berlingske today w

Where even the brightest, most well-known actors are not as glamorous, exciting and above all well-paid, as you might especially think - and dream - as a young, possibly hopeful aspirants to the profession.
Salaried employment does not provide good art Not that it's something that someone whining about. It's just the way it is. Denmark is a small country. And although we have many crazy theaters - you can also discuss whether we have too many - although not least tvproduktionen home yesterday vamvittig well and although Danish film is a success, there is also exporting Danish actors abroad, there will be still trained many actors each year, and the theater world is not there, you must go to if you need job security and employer-paid pension. To hear some talk that the actors do not know what to do about a year, I think most reflects a problematic salaried mindset, which is only to the detriment of the art (but now I have of course also been self-employed my entire career ). Those of us who are old enough - me! - Remembers the last living examples of the Royal. Theatre previously very solid contract with his ensemble. Which meant that in the 1990s had some of the last surviving workers from the scheme, which came staggering in and could hardly remember or clear enough voice saying their one little line. It was not for the benefit of anyone at all!
But it requires flexible rules It is however not ok, too many play for free. And Berlingske today writes that the particular occurs in children's theater acc. their study is something you really should be looking at within the environment.
But deprived brådne tub and problematic compound productions is the biggest problem hideaway report in this context pretty much rules for unemployment benefits, and when a work is a "real" job. It's the same problems that you live with for many others, especially the creative industries in these years, it's like you say one thing about the modern labor market, but the rule sets for an entirely different and much more old-fashioned.
Very few actors are full-time 12 months a year. Try to do a little thinking test with the 10 most famous actors, you can think of - when did you last see them on a stage or in a tvserie or movies? And the latter then just made or recorded maybe in the fall?
Actors and other theater people, or other cultural workers, are not work-shy or krukkede or afraid to think outside the box to pay the account. But as the rules for the particular supplementary unemployment benefits are right now, it is a huge problem that you would rather have them doing nothing and go full-time unemployed than make flexible rules which means that they can receive supplementary benefits spread example. a longer period. Or you can ignore the rules about taking courses or other jobs where people can show they have an acting job shortly. Many actors are not afraid to take odd jobs between theater jobs, but this is exactly the kind of the odd jobs that disappear in recent years. Many also take additional training that they can use. But labor market actors is turned crooked, and require a high degree of flexibility hideaway report in its practitioners. Then there is a casting, there is one day commercial shoot, so there are two hours on the radio, audiobook hideaway report suddenly dumps or two days of dubbing a cartoon. It's hard to combine just another solid part time job in parallel with being an actor.
So make something amdet Some might argue that it is unfair that they should be supported by tax money on the particular way - if they can not live on what they are trained, they must find something else.
We can then say that. But we will close more or less a Danish film and tvdrama and close down most of the best theaters in this country. Back will be the Royal. Theatre in a minimized version, regional theaters and a handful of actors who are employed at theaters - as they often are themselves leaders or where they produce their own shows. But many of them, as most of us are reluctant to do without seeing them we force away from the subject in this case. Even stars have periods when there was a request for them. As Nikolaj Coster Waldau affect in an interview also in today's Berlingske:
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Culture Doctor owned by Rikke Rottensten, in addition to communication advice even work as a journalist with tasks, especially Aller Media and told the paper, and is part of the movie reviewer hideaway report panel on Radio 24syv.
In autumn 2012 she published the biography "It will be 'winter until you have no idea" about Preben Kaas (People's Press) and in 2009 "Comrade with the sun" on Stig pockets. Rikke Rottensten has also written or edited several centenary publications for theaters and other kulturinstitutio